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"At Calcot" (ca. 1885–1890) by John Singer Sargent is a quintessential representation of the American expatriate painter’s masterful ability to capture intimacy and light in domestic scenes. This painting, often lesser-known compared to Sargent’s grand portraits and society pieces, reveals a quieter, more introspective side of the artist’s oeuvre.

Composition and Subject:
"At Calcot" presents a domestic interior scene set in Calcot, likely a rural retreat where Sargent spent time. The focal point of the painting is a group of children, ensconced in a cozy, well-lit room. The interplay of light and shadow, a hallmark of Sargent’s technique, is particularly notable here. Natural light streams in through a window or an unseen source, casting soft hues and reflections throughout the space.

Color Palette and Brushwork:
The painting utilizes a muted, earthy color palette with splashes of brightness where the light hits objects directly. Sargent’s brushwork is both fluid and precise, demonstrating his effortless command of the medium. The textures of the children’s clothing, the furniture, and the surroundings are all rendered with a delicate yet assured touch. His use of color and light infuses the scene with a sense of warmth and tranquility.

Perspective and Space:
The perspective of the painting draws the viewer’s eye into the scene, making one feel almost part of the room. There is a sense of spaciousness and airiness, despite the interior setting, partly due to the strategic use of light and shadow to create depth. Sargent’s attention to detail in the objects and the environment adds to the realism and intimacy of the painting.

Location:
As of the current knowledge cutoff date in 2023, the painting "At Calcot" is part of the collection of The Metropolitan Museum of Art in New York City. It reflects the diverse nature of Sargent’s subjects during his career and provides insight into his versatility as an artist.

Artist Background:
John Singer Sargent (1856–1925) was an American artist known for his illustrious career as a portrait painter. Born in Florence to American expatriates, Sargent studied in Paris and spent much of his career in Europe. He was highly sought-after for his ability to capture the elegance and character of his sitters, blending traditional techniques with a modern sense of realism and immediacy.

Artistic Context:
The period between 1885 and 1890, when "At Calcot" was created, marks a significant phase in Sargent's career. This era followed the scandal of his provocative painting "Madame X," after which Sargent consolidated his reputation with a steady stream of portrait commissions. At the same time, he explored other subjects, including landscapes, interiors, and genre scenes like "At Calcot," which allowed him to experiment with different themes and techniques.

Noteworthy Details:
- Light and Realism: Sargent's expert manipulation of light not only serves to illuminate the scene but also to weave a narrative, evoking a sense of time and moment.
- Intimacy: Unlike his grand society portraits, "At Calcot" offers a glimpse into a private world, showcasing Sargent’s ability to convey intimacy and domesticity.
- Brushwork: Characterized by fluid, almost impressionistic strokes, the brushwork in the painting contributes to the spontaneity and freshness of the composition.

Legacy:
"At Calcot," while not as famous as some of Sargent’s other works, encapsulates his ability to transcend mere portraiture and delve into the portrayal of everyday life and leisurely moments. It reflects his keen observational skills and his continued exploration of light and color, thus reinforcing his status as one of the most skilled and versatile artists of his generation.