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"Painting with Green Center" (1913) by Wassily Kandinsky is a striking and dynamic work that exemplifies the artist's mature abstract style, also known as his improvisational phase. The composition is notable for its vibrant interplay of color, form, and spatial organization, all of which are signature elements of Kandinsky's exploration into abstraction and expression through non-representational art.

In this piece, the titular "Green Center" serves as an anchoring point around which an array of other colors and shapes dynamically orbit. The green area is an irregular patch that is bright and radiant, evoking a sense of vitality and energy. Surrounding this central focus are smaller, amorphous forms in various hues including red, blue, yellow, and black. These shapes appear to jostle and float in a loosely defined space, creating a sense of movement and flux.

The overall composition is organized in a seemingly spontaneous manner, yet closer inspection reveals a sophisticated balance of contrasting colors and dynamic forms. Kandinsky's use of lines, both straight and curved, emphasizes the direction and flow within the painting, bringing an underlying sense of rhythm and harmony to the otherwise chaotic tableau.

The original painting is housed in the Lenbachhaus in Munich, Germany. The Lenbachhaus is renowned for its extensive collection of works by the Blue Rider (Der Blaue Reiter) group, of which Kandinsky was a founding member. This group was pivotal in the development of abstract art and expressionism in the early 20th century.

Wassily Kandinsky, born in Moscow in 1866, was a pioneering figure in abstract art. His career saw a significant evolution from early representational works influenced by Impressionism and Fauvism, to increasingly abstract compositions which eventually led him to become one of the forerunners of non-objective art. Kandinsky believed deeply in the spiritual function of art, viewing his works as visual representations of inner emotional and spiritual states. His theoretical writings, particularly "On the Spiritual in Art" (1911), established the framework for his abstract expression.

"Painting with Green Center" fits within this mature phase of Kandinsky's career when he was exploring the emotive potential of abstract forms and colors. The painting is an excellent illustration of his desire to transcend the material world and convey deeper spiritual truths through pure visual language.

As an important piece from Kandinsky's oeuvre during the early 20th century, "Painting with Green Center" stands as a testament to his revolutionary approach to art, which broke free from traditional representation to emphasize artistic expression and the spiritual resonance of color and form.