Created from high-quality wood, milled with simple clean lines and presented with a satin finish. Includes an off-white mount that will not discolour or fade with age. - Simple, elegant design - Premium, fine art paper with a gently textured surface - Handmade by specialist picture framers - FSC certified off-white mat / window mount - Delivered ready for hanging

Composition and Subject Matter
"Pines on the Coastline" captures a serene and scenic coastal landscape dominated by pines, natural elements, and the luminous quality of the Mediterranean light. The painting is an exquisite display of Cross's adept handling of the Neo-Impressionist technique of Pointillism.

Color and Light
Vivid, yet harmoniously blended dots and strokes of color define the canvas. The lush greenery of the pines, depicted through varying shades of green and punctuated with hints of blue and yellow, contrasts beautifully with the expansive waterscape. The sea, with its serene blues ranging from aquamarine to deep cobalt, and the sky, bathed in soft hues of pink, lavender, and orange, evoke a sense of calm and quiet dignity. The sunlight infuses the entire scene with a warm glow, enhancing the tranquil atmosphere and creating an almost ethereal ambiance. The interplay of light and shadow adds depth and movement to the painting, making the viewer feel as though they are witnessing a moment frozen in time.

Technique and Style
Cross uses small, meticulously placed dots of color that the eye blends at a distance to create a cohesive image, a hallmark of Pointillism. This technique offers a textured and vibrant surface that oscillates with light. Each dot holds a wealth of color, contributing to the painting’s overall luminosity and vibrancy. This method underscores Cross's devotion to color theory and the optical mixing of colors, which was central to the Neo-Impressionist movement.

Artist Background
Henri Edmond Cross (1856-1910) was a key figure in the Neo-Impressionist movement. Born as Henri-Edmond-Joseph Delacroix, he adopted the name “Cross” to avoid confusion with the famous Romantic painter Eugène Delacroix. Cross’s early works exhibit the influence of the Impressionists, but he later embraced the Pointillism technique pioneered by Georges Seurat and Paul Signac.

Historical Context and Artistic Movements
"Pines on the Coastline" was painted in the mature period of Cross’s career when he had fully embraced the Neo-Impressionist idiom. Neo-Impressionism followed in the footsteps of Impressionism but took a more scientific approach to the study of color and light. Artists like Cross sought to achieve greater vibrancy and luminosity through the meticulous application of color theory.

Current Location
The original "Pines on the Coastline" is held in the Musée d'Orsay in Paris, which houses an extensive collection of artwork from the late 19th and early 20th centuries. This location is fitting, given the museum's dedication to Impressionist and Post-Impressionist artists, making it a prominent repository of works by artists like Cross.

Artistic Contribution
Cross’s “Pines on the Coastline” exemplifies the high point of Neo-Impressionist art. It showcases his mastery over Pointillism and his ability to capture the transient effects of light with a scientific yet poetic sensibility. The painting represents Cross’s departure from the earlier, more constrained techniques of the Impressionists towards a more liberated and innovative approach.

Influence and Recognition
Cross's works had a significant influence on the development of modern art. His techniques and commitment to color theory inspired subsequent generations of artists, including the Fauves. The vibrancy and meticulous approach seen in "Pines on the Coastline" continue to be celebrated for their groundbreaking contributions to the art of the 19th and early 20th centuries.

In summary, “Pines on the Coastline” is more than just a beautiful landscape; it is a testament to Henri Edmond Cross's contribution to the Neo-Impressionist movement, his masterful use of Pointillism, and his philosophical approach to art that celebrates light, color, and the natural world.