Terrace, Vizcaya Framed & Mounted Print

Artist: John Singer Sargent

£59.76
Created from high-quality wood, milled with simple clean lines and presented with a satin finish. Includes an off-white mount that will not discolour or fade with age. - Simple, elegant design - Premium, fine art paper with a gently textured surface - Handmade by specialist picture framers - FSC certified off-white mat / window mount - Delivered ready for hanging...
Change measurement unit: Inches
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Size: 12"x8"
Frame Style: Black Frame
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Created from high-quality wood, milled with simple clean lines and presented with a satin finish. Includes an off-white mount that will not discolour or fade with age. - Simple, elegant design - Premium, fine art paper with a gently textured surface - Handmade by specialist picture framers - FSC certified off-white mat / window mount - Delivered ready for hanging

The painting "Terrace, Vizcaya" (1917) by John Singer Sargent captures a serene and luminous view from the terrace of Vizcaya, the grand Italian Renaissance-style villa located in Miami, Florida. Bathed in soft, natural light, the scene displays Sargent's masterful understanding of light, color, and atmosphere.

The composition draws the viewer's eye to the calm waters beyond the terrace, likely Biscayne Bay, which is painted with subtle, shimmering hues of blue and green. The water gently reflects the vibrancy of the clear sky above, suggesting an exquisite day. The terrace itself is depicted with intricate detailing, showcasing balustrades and lush greenery that hint at a tranquil, almost idyllic setting.

The palette is delicate yet vibrant, with greens, blues, and warm tones blending harmoniously. The brushstrokes are fluid and expressive, adding a sense of liveliness and immediacy to the tranquil scene. Sargent's technique captures the fleeting effects of natural light, enhancing the sense of calmness and serenity.

Information about the Original Painting and Artist:

The original painting "Terrace, Vizcaya" is part of the permanent collection of the Untermyer Trust at the Metropolitan Museum of Art in New York City. The painting reflects a period in John Singer Sargent's career when he was extensively traveling and painting scenes of gardens and landscapes, stepping away from his earlier dominance in portraiture.

John Singer Sargent (1856-1925):
John Singer Sargent was an American expatriate artist renowned for his superb portraits, landscapes, and watercolor works. His portraits are noted for their remarkable depictions of his subjects' psychological and social status, and his landscapes and other works showcase his versatility and keen sense of observation.

"Terrace, Vizcaya" was created in the later period of Sargent's career, marking a departure from his earlier focus on portraiture. Around 1907, Sargent had famously declared his intention to abandon commissioned portraits, which allowed him more freedom to explore other subjects. This period was characterized by travel and the exploration of plein-air painting, capturing the essence of places and the fleeting qualities of light and atmosphere.

Artistic Movements and Noteworthy Details:
Sargent’s work, including "Terrace, Vizcaya," embodies the principles of Impressionism, particularly in his treatment of light and color. However, Sargent is often considered more of a Realist and a member of the Gilded Age's high society, bridging the gap between Realism and early Modernism.

Noteworthy details in "Terrace, Vizcaya" include Sargent’s skillful handling of the dappled light on the terrace and the subtle reflections in the water, which suggest a deep understanding of both natural and constructed beauty. The painting also fits into Sargent's series of works depicting gardens and outdoor settings, reflecting his interest in the interplay between human-crafted elegance and the organic charm of nature.

Overall, "Terrace, Vizcaya," with its tranquil ambiance and sophisticated composition, encapsulates Sargent's mature style and his move towards more personal and experimental subjects in his later years.

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